In the insistence on the inheritance of the Miao silver jewelry handmade craftsmen

In today's era of large-scale machine production instead of manual labor, many skilled craftsmen, craftsmen and their technology are gradually being replaced. However, there are always some people who are still insisting on sticking to it and handing them to new souls. Jun Junyi is sticking to it and inheriting and carrying forward the Miao silver jewelry craftsmanship.

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From childhood to silver

A suite on the ground floor of the Xueyuan Community of Pengshuihebao Street in Chongqing is a housing and hand-work workshop of Yan Junyi. The 37-year-old Jun Junyi’s happiest thing every day is to dance with silver jewelry.

On September 22, when Yan Li met with Jun Jun, he saw that he was busy melting silver into silver bars. The spray gun spit out a red-blue flame. The silver piece instantly turned red, and the scorpion was pinched and quenched. Correspondingly, when the cast is burnt and the jingle is beaten, a flower is opened on the silver piece, and the veins are clearly visible.

"The technique of playing silver is an ancestral skill. I don't know which generation I can trace. But since I remembered it, my father, the uncle, and the whole family will all play silver." Jun Jun said that he was making a silver jewel in the elders. Growing up in the sound, there is a kind of innate love for the slap in the face, and the procedures and methods of processing silverware are well known.

Yan Junyi recalled that when he was 12 years old, he made his first work, a copper bracelet.

"Silver is precious, and the damage is terrible. Generally, copper is used to practice the craft. At that time, it took a full three days to play a bracelet." Jun Jun said that when his father praised himself "played well" When my heart is sweet and sweet, I am determined to be a good silversmith.

However, in the next 10 years, Yan Junyi did not take the professional silversmith road.

Four academic improvement techniques

When he was an adult, he worked in a foreign country. After he moved to a lot of places, he decided to return to Pengshui to realize his childhood wish. In that year, he was just 30 years old and changed his house into a silverware processing shop.

“Not only the Miao nationality but also the ethnic minorities such as the Hui and the aquarium also like silver ornaments, but the characteristics and skills of the silver ornaments of different ethnic groups are different.” Jun Junyi said that being an excellent silversmith must constantly learn and learn from each other.

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