Shenzhou laughed colorful tiger Universal Tour Splendid Dragon - an interview with "China Top 100" painter Yu Yanbin

Yu Yanbin teacher China International Cultural Industry Network (Reporter Su Xiaoqi) Yu Yanbin, male, born in 1956, Changchun City. Jilin Daily, deputy director of literature and art, senior reporter. A member of Jilin Writers Association, a member of Jilin Artists Association and an expert of Jilin Arts Literary Review Group. During his time at the newspaper office, Yu Yanbin successively held short and medium-term short stories, such as The Moon Has a Lost Moon, Snowy Night Soul, Timely Rain, The Monument to the Jagged Faith, Dong Xiaowan, a Qinhuai Prostitute, "," Women outside Chastity Arch "and reportage" The Spirit of the Constellation "," Roots of this piece of land "and a large number of essays, literary criticism, film and television critics and other works published. In 1991 July, Yu Yanbin created the literary script "Life won the gold map", Changchun film studio filmed in feature films in various parts of the country publicly released, a lot of attendance. After 1987, he has successively joined Jilin Writers Association, Jilin Artists Association and Jilin Film Association, and his works have been included in the book "Names of Chinese Young Writers," "Biography of Chinese Writers at Home and Abroad," and other books. In 2002, Yu Yanbin's novella "Jinmai" was published and received wide acclaim from literary circles. May 2010, Jilin Provincial Party Committee Propaganda Department to further promote the prosperity and development of literary and artistic creation, the establishment of literary and art review team in Jilin Province, Zhang Xiaotian, Hao Guochen, Zhang Weimin, Yu Yanbin and other 13 authors, critics were hired as Jilin Province art Review team experts. In recent years, Yu Yanbin committed to the creation of Chinese figure painting, Guan Yu, Yue Fei, Zhong Kui and other heroic image of the eye, scroll "China Top 100", "Heroes of the Marsh" stunning. Many sites publish and reprint many of his works, creative achievements compelling. (Yu Yanbin Personal Profile http://yuyanbin.china9986.com) Interviewer: Su Xiaoqi, reporter of China International Cultural Industry Industry Interviewee: Su Xiaobin, famous painter Yu Yanbin: Hello teacher! Thank you for accepting our interview with China International Cultural Industry Network. As far as I know, the teacher enrolled in the Department of Chinese of Northeast Normal University, published a number of papers in school, is now a writer, literary critic, poet, 1991 film script "life gold figure" was shot Into the movie release in the country, may I ask the teacher's literary attainments is how to practice it? Artist Yu Yanbin: I also thank China International Cultural Industry Network for my attention and interview. Speaking of literature and art, I seem to have a lot to say. I was born in an intellectual family with parents as teachers. Since childhood I have read and recite many poems of Tang and Song Dynasties. During the Cultural Revolution, I was in high school and my school was suspended from classes. I had the opportunity to read many Chinese and foreign famous books such as Outlaws of the Marsh, The Romance of the Three Kingdoms, Journey to the West, Hongyan, Lin Xue Xue Yuan, It is adolescence that the memory left to me is very profound. Now I can still recall the situation when I was crazy reading that year, which is full Curiosity, surprise, shock, touched the golden period of reading ah! It can be said that reading is the most important spiritual nutrition in my growing up. My bones are filled with too many elements of traditional Chinese culture. Chinese traditional culture has almost become the sole criterion for judging things in my youth. High school has not graduated, I could not suppress the impulse of literary and artistic creation, there have been many poetry, the novel published in the journal, as "little writer", "little poet." During my studies in the Department of Chinese at Northeast Normal University, I read a large number of famous Chinese and foreign celebrities. In addition, through the study of many styles of poetry and fiction and the enthusiasm of literary and artistic creation, I read a lot of works such as "Cao Cao", "Snow Soul Night" Papers "On the Li He poetry" theory and rhetoric "and many other articles published in the publication. After I graduated from college, I worked in "Jilin Daily" and had the privilege to have a deeper understanding of life. While doing my own work, I had more and more literary and artistic creation. The novella "Women outside Chastity Arch" Pulse "are all works of that period. Because in the newspaper work, poetry creation has also become my "fast fist", an Olympic Games, I created more than 30 poems published in succession one after another, setting a record of fast, high yield. As for literary criticism, it is more about work. Due to long-term literary and artistic creation, it naturally has a relatively profound understanding of various literary forms. Over the years, I have published more than 200 literary and art criticisms in succession, including movie reviews, drama reviews, novel reviews and poetry reviews. The famous "phenomenon of Jilin TV drama", also "achievements" of my literary criticism, produced in Jilin Province drama, I have written comments published. Literary and artistic creation is an indispensable part of social life and an advanced thinking activity belonging to the spiritual realm. It requires extensive and profound accumulation of life and quick and sharp rational cognition (including literary theory, aesthetic point of view, creative experience, cutting-edge experience, etc.), it can be said that passionate social life, rapid development of literary and artistic creation, Some achievements in literature. Reporter Su Xiaoqi: published a large number of literary works in the teacher, is also studying in the Chinese language department stage, what makes the teacher you started painting it? Artist Yu Yanbin: Painting is an interest to me when I was a child. It can be said that painting accompanied me through my whole life. Children, I do not know why, saw kittens, puppies, bunny, etc., drawn on the ground, and interest continue. It is also in the neighbors, classmates and parents praise, this interest only unabated. Perhaps classical literature plays a big role in some places, and I am very sensitive to the understanding of the objects of painting. Here, I would also like to thank Mr. Deng Zhen, a painter I encountered in my elementary school, for giving me the encouragement and encouragement to teach me the basic skills of drawing: sketching and sketching, which have helped to make my painting a success today. Primary school, I drew a comic book "Liu literature", won the city's first prize; high school, I drew a pencil drawing "Water Margin will be"; knowledge of youth, I drew a large number of peasant portraits, animal sketches, sketches , But also participated in the systematic study of several art classes, painting has a more solid foundation. When painter, become my pursuit of goals. In college, I reported that the art department, but magical, "Admission Notice" has become the Department of Chinese. Perhaps the god of destiny joke with me, perhaps literary creation is also attractive to me, in short, in the face of the temptation of the university, I came to the Northeast Normal University Department of Chinese. During my stressful university studies, the art department is also a place I often love. Art Department of creative learning, I have to observe, all kinds of art exhibitions, I have to watch. Fine arts department many friends, I have to make friends. Interestingly, I spent a lot of time reading the "History of Chinese Art" and "World Art History", and in theory I had a broader and deeper understanding of painting. Reporter Su Xiaoqi: There are many modern painters, prefer landscape painting, but also the preference for portraits, but most are inclined to the real people's paintings, why do you choose the theme of historical heroes? Artist Yu Yanbin: Chinese painting sub-landscapes, flowers and birds, figures of subjects, each artist will be based on their own painting experience, art preference, or choose a subject or both subjects. This is the artist's free choice based on his strengths. "Benevolent see benevolence, wise men see the wisdom," the so-called also. My paintings, most of the performance of historical heroes, such as the Three Kingdoms war Guan Yu, anti-gold marshal Yue Fei, Northern Song Dynasty star Yang Ye and so on. Historical heroes are an important driving force to promote the history of the history of the heroic flash of light This is the dazzling Chinese history. This is the history of dialectics. My work "China Top 100" nearly 1 meter high, more than 60 meters long, representing the hundreds of generals from the Spring and Autumn Period to the Qing Dynasty for thousands of years. Why choose "China's top 100" this theme? The commentator Mr. Zhang Huimin has elaborated on exactly in the "Appreciation of the Hundred Treasures of China" in "The Long March of the Tiger and the Saints of Illusion - Painter Yu Yanbin": "In the history of human war, outstanding commanders drew a picture Amplitude of the magnificent picture of war, the legendary history of the war influence, determines the development of human society and the war witnessed the wisdom and courage of marshals, engraved with the legend of the handsome and performance of the world admire the famous, admirers, through Over the famous experience, analysis of the famous director of the war every detail, every turning point, every root, every ending, have a profound significance for the future war.Exhibition of famous art, personality style, courage and glory The fruits of the war will enable us to understand the war from a higher perspective and deeper level, to understand the war and to control the war. "This discourse, on the one hand, explains the reason why I chose the subject of historical heroes. Again, there may be too many elements of traditional Chinese culture in literary consciousness. Perhaps there are too many historical heroes in the painting history to portray their experiences. My paintings have just chosen the theme of historical heroes. In the market economy and society, the chances of people pursuing material life are greatly enhanced, and material worship and universal money are almost the highest goals of social life. People are mediocre, hurried, for the monthly wage rush, work hard for the annual income. This era is the era of scarce heroes. Heroic "pursuit of lofty, practice great" spirit, has been lopsided, blurred appearance. The hero Yue Fei's "generals at death, civil servants do not love money, the world may carry on" the ideal, will certainly have a reference and reference for social governance. Market economy and society, filled with too much intrigues, pit market abducted the elements of the market economy, and the hero Guan Yu loyalty, honesty, benevolence as the market management will be the ills, interpersonal relationships, the essential conscience of life Huang Zhongda Lu warning and guiding role. Select the history of heroes as the subject of painting, there is no shortage of people in the history of Chinese art. Chen Laolian's "Water Margin Leaves", the "Three Kingdoms" of Debu Dunbang, Fan Zeng's historical figures, and Wang Guoxin's new Kung Kong Confucius ... I think these painters' works are by no means foreshadowing. "The text is made from time to time", their works must have a wide range of practical significance and far-reaching historical significance. Painting is closely linked with the reality of society. Painting is closely related to history. It is exactly what the painter calls the artist's connotation. Please enjoy the work (Horse Figure): Reporter Su Xiaoqi: In the teacher painted so many heroic works, each character demeanor are not the same, face shy, Wuling Wu Hao, may I ask how these are formed? Is to collect information or imagination? Artist Yu Yanbin: "China Top 100 Pictures" is a work created by me in recent years. There are also "Water Margin Heroes" and later "Zhong Kui Series" and "Horse Series". "China Top 100" production is not easy. I have had the curriculum vitae of military personnel in active service and have worked in the Political Department of the Frontier Defense Bureau of Jilin Provincial Public Security Bureau and have a special cult complex for the mansions of Chinese history. In the absence of a heroic age, I chose to paint a hero and naturally associate it with the making of the "Top 100 Chinese Images." As China's top 100 generals can stir up the martial spirit of China, China's top 100 generals can inspire national integrity, and China's top 100 generals can demonstrate the quality of their heroes. China's top 100 generals can set an example. This is the original intention of making the "Top 100 Chinese Figure." In college, he studied ancient Chinese history and the history of Chinese wars seriously. However, at the time of writing, I still conscientiously consulted the comrades of the time background, country characteristics, the war environment, personality characteristics, facial features, war age and other relevant information. I have read "Research on Costumes in Chinese History" and "Illustrated Ancient Chinese Objects", laying the foundation for characterization of clothing, weapons and environment. After these large frameworks were prepared, more than two months of writing began. The war is cruel. All these marshals command the command of tens of thousands or even hundreds of thousands of troops and horses. Their majesty and fortitude are their everyday faces. Braveness and wisdom are their command style. In the image of distinction, I strive in the story, character, appearance, war age to be distinguished. Such as Lian Po, Han capture tiger, Yang Ye and so are all white hair generals, I painted a rather tall body size, negative Jing apologize face remorse; Han capture tiger bravery fierce; Young Ye Yongwu in the Senate folder refined. Generals stay beard, is a characteristic of that era, which adds a lot of difficulties to describe the character traits, many people face features is difficult to divisions. Tian Dan, Zhang Fei, Fan Ying and so on are whiskers, difficult to distinguish. I drew Tian Dan, beard slightly less, command soldiers Qiabu fire array, showing a bit clever; Zhang Fei riding swept array, I intensified the angry eyes wide open, square mouth shout, publicity immediately heroic majesty; and Fan Xuan is to emphasize the action of painting, tiger shield and fan å“™ face each other, split sword and big stride mutual coordination, the background draws a cloth armor drift. In this way, three tigers will be very easy to distinguish, not to be confused. The value of art lies in the painting of the characters to be "this one", I try to avoid the heroic style in the hero, with a lot of effort. Armor is a must for generals. Check the historical data, though different armor of ancient history, but similar, a dynasty armor even decades, roughly the same as the last century, which was closely linked with the material level of the time. I try to draw the dynastic character of armor. Painted gold Wushu, I draw armor while wearing animal hair, emphasizing the northern characteristics. Guan Yu painted armor edge decorated gorgeous, pay attention to match the hero appearance. Reporter Su Xiaoqi: In the teacher published so many works, may I ask the teacher you are better at literary creation or painting creation? Text and painting which is more able to express the feelings of the teacher? Artist Yu Yanbin: Literary creation and painting creation are all important components of my mental thinking. Words and paintings are also the indispensable wings of my artistic career. At times, it is closely related to working hours and living environment. As a senior reporter, I have to write high quality works to guide public opinion and reflect social life. As a figure painter, I also have to draw tasteful paintings that show artistic qualities and act as social people. Writing and painting strive to better express individual emotions. Reporter Su Xiaoqi: In the teacher you have in the short story and a large number of prose, literary criticism, film and television critics and other works published, including paintings, which of these works which is more special for you? For example, in the creative process have impressed you experience. Artist Yu Yanbin: I once wrote and published the novella "Jinmai", and later adapted into a movie to be released nationwide. In the process of adaptation, Zhang Xiaotian, deputy director of Chang Ying at the time, attached great importance to me and offered me some reorganization suggestions. Make me more aware of the heroic character that I shape is commendable. The bravery, wisdom, loyalty and loyalty of the people of northeast China flashed out by people of all colors including the 8-person gold mining class are the typical personality traits of our Chinese nation. The Qing government's betrayal and disastrous behavior will always be the alarm bell and shame of the Chinese nation. People must have a sense of right and wrong, as small as the subtleties of doing things, and believing in the macrocosm, all should be respected. In this way, can not be worthless in this life. In recent years, I have created a large number of paintings of the Kuan-kung. Guan's character of loyalty, righteousness, benevolence, courage and trust are all precious spiritual wealth of the Chinese nation. People in China need to continue their heritage and people in China need to flourish. I have systematically studied Guan Gong extensively, and the more I dig, the more I feel that Guan Gong is valuable. He is the practitioner of the traditional Chinese culture of Confucius in the Eastern Saints and is a brilliant name card of the Chinese traditional culture. We should be proud of our image. I once gave a comprehensive introduction to Guan's history status of being sought after and being worshiped in today's world and wrote a performance expression of "Qilu": " From the awe-inspiring Chinese summer wind battlefield several times Yi Zhiyong, a pulse of faith in the Han Dynasty. Divine laugh proud of colorful tiger, universal around the Splendid Dragon. Pen and ink Danqing noble, life passionate Guan Gong! Today, or really hope that people and I encourage each other . Reporter Su Xiaoqi: Teacher As an artist, poet, film critic, writer, and multi-tenant, do you think literature and painting inspire each other to create inspiration? Or are there any conflicts? Artist Yu Yanbin: The painter is inseparable from the nourishment of literary elements. The writing works of writers are more literary. Literature and painting can arouse mutual inspiration and inspiration, which is true and credible. Tang Dynasty poet Wang Wei, whose poems and their paintings, are well respected scholars of all ages. Su Shi once said: "The taste of Mo Jie's poem, there is a painting in the poem; Observing the painting of Mojie, there is a poem in the painting." Mr. Qian Zhongshu further added: "Wang Wei, a feminist poet and a freehand painter, In terms of artistic conception and expression tactics, they are compatible with each other. "Among contemporary artists, there is no shortage of painters who keep pace with both literature and painting. Mr. Fan Zeng not only published literary works, but also wrote good poetry. Mr. Wang Guoxin published monographs of poetry, poetry and calligraphy and painting are superb. His famous quote, "The Height of Knowledge," profoundly expresses the creationism of literature and painting that inspire each other. This is not an absurdity, my creative experience, the two are mutually beneficial and complement each other. Reporter Su Xiaoqi: Are there any plans or wishes for teachers next? Artist Yu Yanbin: Continue to dig the "Guan Gong series" and draw the charm of Guan Gong loyalty, righteousness, benevolence, courage and trust so as to make more efforts for the establishment of the elite spirit of the Chinese nation. Continue to create "Zhong Kui Series", "Horse Series", the Zhong Kui spirit and horse spirit more people into the spiritual world, cheer for the Chinese Renaissance! Please enjoy the work:

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